Augmented Reality (AR) added to rice paper prints. Custom algorithm drawn from the words of a person writing while imprisoned.
With Jesse Drew
Exhibited at the Barn Gallery (Woodland, CA).
REDUX vesrion exhibited at the 2023 Currents New Media Festival (Santa Fe, NM)
View REDUX version website.
Photographs and text blocks from interviews with COVID workers, including truck drivers and fast food workers
With Jesse Drew and the Class Conscious Photographers Collective. View more.
Exhibited at John Natsoulas Center for the Arts and Silicon Valley De-Bug; reviewed in the Davis Enterprise
Website Redesign
With Pattie Chen, Margot Uchica Huaman, Daniel Lavados, Peter Lo, Bill Mead, Jamie Oka and Brett Snyder
Co-PI on Placemaking Initiative to enact social change.
PI: Kim Yasuda (UCSB), Co-PIs: Shannon Jackson (UCB), Jennifer Parker (UCSC), Brett Snyder (UCD). Read more.
Logo by Brett Snyder.
Film and new media project about politics and Country-Western music.
Read an interview with Jesse Drew on Pete Seeger.
Presented at ArtStreet (Sacramento), Artist's Television Access (San Francisco), Counterpulse (San Francisco),
View website.
Social media platform to build solidarity among precarious workers.
With Jesse Drew and others
Presented at Simon Fraser University (Vancouver, Canada); IAMCR 2013: Crises, ‘Creative Destruction’ and the Global Power and Communication Orders (Dublin, Ireland); Art and New Media, Berkeley Center for New Media: Art, Technology, and Culture Colloquium (UC Berkeley).
Read review 1 / Read review 2 / Visit site.
DES 225, Studio Practice in Design, exhibition based on the 2018-2019 Campus Community Book Project, The Book of Joy,
by Douglas Abrams.
Exhibited at the Shrem Museum of Artand the Mondavi Center for the Performing Arts.
Read more.
Predominant work in this image by Jonathan Parris and E Marley.
Series of interactive projects from DES 157, Interactive Media II, under the umbrella topic of Design for Diversity.
Freemotion embroidery tribute to the women who write and/or sing the songs that celebrate women. Superyonic!
By the Cliterates Collective.
Exhibited at the Jay Jay Gallery
Watch video.
Publicly engaged embroidery project serving as a practice of creativity and tool for the reclamation and celebration of our bodies.
By the Cliterates Collective.
Exhibited at Nasty Women Oakland, The Shrem Museum of Art and Unmarked Evidence (University of Arizona, Tucson)
Watch video.
Photo by Tom Maiorana.
Large-scale, site-specific, interactive installation that immerses children and their caregivers in a visual experience that is dazzled in color, light and reflection.
With Jiayi Young.
Exhibited at the Crocker Art Museum
Read review / Watch video.
DES 225, Studio Practice in Design, exhibition of interactive, "queer" studio apartment based on the 2017-2018 Campus Community Book Project, Redefining Realness by Janet Mock.
Watch video.
Postcard design by Adam Flint Taylor.
Multi-disciplinary art and design installation explores and celebrates the biology, beauty, and bounty of the Pacific Flyway.
With Ann Savageau and Valerie Constantino.
Exhibited at Grace Hudson Museum,
Cal State University, Stanislaus, UC Davis Design Museum.
Read review.
Link to Leonardo Journal (print) essay.
Projects progression of shadowy, halftone birds in flight.
Exhibited at Grace Hudson Museum, Cal State University, Stanislaus,
UC Davis Design Museum.
Stroboscope portraits of humans consdiering what flight and freedom mean to them.
Exhibited at Grace Hudson Museum,
Cal State University, Stanislaus, UC Davis Design Museum.
Interactive oral history and video database that includes a wide range of stories of connection to the Pacific Flyway.
Exhibited at Grace Hudson Museum,
Cal State University, Stanislaus, UC Davis Design Museum.
Immersive, interactive, film set space based on Open Country.
View website / Read article.
Media-archaeological statement on the futility (and injustice) of borders, again and again and again.
With Jesse Drew
Read more.
Exhibition addresses issues all along the food chain, made in DES 225, Studio Practice in Design, based on the 2016-2017 Campus Community Book Project, Stuffed and Starved: The Hidden Battle for the World Food System by Raj Patel. The projects from production to consumption, and touch on concerns that include labor practices, health and nutrition, local food programs, the meat industry, and social aspects of dining.
Postcard by Jenni Cadieux.
Read more.
Series of sassy handkerchiefs for women.
Read more.
Interactive color games for the Crocker Art Arc, made in DES 157, Interactive Media II.
Interface design by Deborah Bazsuly.
View the website.
Portraits of undergraduate design majors taken just before they graduate, with an object that inspires their creativity...a project of love.
Time-based photography portraits create a motion-based, asynchronous gallery of contemporary food service workers from a wide gamut of restaurant establishments.
View online exhibition.
Video installation considers the compression of time and space represented by California’s Interstate 5, particularly its passage through the Central Valley.
Read review.
Interactive visual database crowdsources an evolving definition of "sexual violence."
Video installation highlights the views of five young women representing an emerging generation of new feminists in consideration of "rape culture."
Series of illustrated postcards to encourage community media participation and donations.
Co-PI on range of interactive projects altering the way energy is experienced by consumers in order to reduce energy use and emissions.
Image of thesis project by Hannah Park.
View website.
Interactive kiosk exploring the life and work of Karen Karnes (ceramacist), made in DES 157, Interactive Media II.
Time-based photography project. Portraits create a motion-based, asynchronous gallery of contemporary food service workers from a wide gamut of restaurant establishments. Viewers are invited to hear the concerns, hopes and dreams of people
who hoist the trays, clear the tables and wash the dishes; displayed ala "portrait hall style." Portraits shown in black and white and stereo-video.
Read review.
Viewmaster reel portraits of Davis chickens with their owners.
Time-based portraits of truckdrivers speaking on the work of truckdriving and the importance of California's Central Valley to the US.
View website.
Interactive video database using motion detection that poses as foggy mirror that gives personalized messages of love.
Interactive database based on candy valentines. Participants are prompted to create virtual, interactive candy hearts with personalized messages.
Motion-sensitive, interactive video installation. Projected images reflect dichotomy of goods and evils, polarities every society has to come to grips with. Default image is a randomly changing video tableau of dryland fires, oil refineries, landfill and environmental and social destruction. Polar images of wind turbines, ecological agriculture and social amelioration can only erase their opposites through the massing of bodies in the public space (potentially urban streets) before it or through vigorous motion.
Eight-minute video portrait of an artist. Uses a cinematic style that references the notable minimalist style with which Chandon paints, visual explorations describe location, object and the process of creative research and making.
Women respond to a community call to make statements on (against) the Palin nomination to counter the media narrative that "all women support Palin."
Series of five trading cards that consider and celebrate the role of immigrant labor in the US food economy.
Reviewed in Bitch Magazine.
Video installation considers immigrant workers as “alien hands” and “faceless” to general public. Referencing field labor work, viewers stoop bent back to view video monitors held by “planted,” mechanical hands.
Interactive exploration considers range of textile innovations, from industrial revolution to local trends of San Francisco; from machine-made to hand-made to child-made.
Live video projection explores movement in consideration of surveillance technology and culture.
Screen-based, interactive alphabet.
Video database explores cultural semiotics of color.
Collaborative project with Valerie Soe.
Installation with digital projection explores internal and external space within the context of one San Francisco apartment building.
Performance project explores the Philippine American War and effects of “struggle” on Bay Area Filipino youth.
Installation explores political economy through familiar interface of an ATM machine.
Collaboration with Jesse Drew.
Explores the history of Paper Tiger Television, as well as history of media and communications.
Window installation exploring privatization of media.
Mock magazine covers critically and humorously address the prevalence of white males in the high-tech industry and suspicious absence of women and people of color.
Window installation explores ownership of communications and public access.
Experimental, super-8, interactive film exploring women's stories of discovering their sexuality and common myths about masturbation.
Experimental, optically printed, 16mm film exploring body image and the media.
